SPRING/BREAK Art Show

New York City's curator-driven art fair during Armory Arts Week.

 

#wishingpelt will be included in SPRING/BREAK Art Show

for more info check out wishingpelt.com

 

 

March 4, 2014 | Preview Day

 

Press Preview 2pm - 4pm

 

Collector's Preview 4pm - 6pm 

 

VIP Vernissage 6pm - 9pm VIP

 

Collector and VIP Preview's by Invitation Only or VIP Card

 

 

March 6 - 9, Noon - 8pm | Daily Hours

 

Old School, 233 Mott Street, NYC

CAA

QUEER CAUCUS FOR ART
STRANGE BEDFELLOWS: COLLABORATIVE PRACTICE IN QUEER ART
Time: 2/13/2014, 12:30 PM—2:00 PM
Location: Hilton Chicago, 3rd Floor, Marquette Room 

Chair: Amy Cancelmo, Independent Curator

Curator Amy Cancelmo discusses queer collaborative practice with several of the artists featured in her nationally travelling exhibition Strange Bedfellows, currently on view at Averill and Bernard Leviton A+D Gallery, Columbia College, as the sponsored exhibition of the Queer Caucus.
Artists:

Sean Fader, Fashion Institute of Technology
Tara Mateik, SUNY Staten Island
Tina Takemoto, California College of the Arts
Julie Sutherland, Independent Artist

January 16-February 22, 2014

Reception: February 13, 2014, 5:30-8:30 PM 

 

Strange Bedfellows is a nationally travelling exhibition exploring the role of collaboration in contemporary queer art practice.  Curated by queer art historian Amy Cancelmo, Strange Bedfellows posits collaborative art-making as a radical concept; redefining authorship and “queering” the singular artist/ author paradigm.

Curating Social Practices: 

December, 6th @ 4pm 

 

 

Moderated by Jose Diaz, Curator of Exhibitions, The Bass Museum of Art 

 

 

 

This panel covers the overlap between art and organizing in the public realm. From DIY community projects by artists and collectives to institutionally supported public interventions, enterprises and partnerships, this panel will discuss the future of art and social practice.

 

Participants: 

Travis LeRoy Southworth

Carlos Rigau 

Sean Fader

Bowie Zunino & Jeff Barnett-Winsby

Ombretta Agro'

Aida Sehovic

Time Out Dubai gave my show at The Jam Jar Dubai a lovely write up.  "For Dubai, the exhibition is both liberating and challenging – it’s almost impossible not to have some reaction. For starters, Sean Fader’s video installation is intimate and unusual."

 

How to do Things With Hair curated by Barrak Alzaid 

 

 

Hair performs gender, but by removing it from its representational role ‘how to do things with hair’ restages male body hair as a technology with transformative potential.

 

 

26 October - 2 December 2013

26 Oct | Exhibition Opening

 

This exhibition was developed as part of Campus Art Dubai 1.0 January - June 2013

T | +9714 341 7303F | +9714 341 7304E | info@thejamjardubai.com

 

www.thejamjardubai.com Mon - Thu, Sat 10am - 8pm Fri 2pm - 8pm, Sun CLOSED 

 

A Blade of Grass recently released a beautiful new book about the twenty socially engaged Artist Fellows who were chosen to be part of Artist Files.

There is an amazing chapter on yours truely!

Artist Files was a one-time grant cycle focused on generating and harnessing public discourse as a way to define socially engaged art and the selection criteria.

The Art Of Hooking Up

Perception versus reality: when it comes to the world of online dating — or more accurately, online hooking-up — one can often be vastly different than the other. With only a handful of pictures and words to get your message across and no real accountability, is it any wonder we live in the age of Catfish?

Sean Fader Explores The Art Of Online Dating In Sup? by Priscilla Frank

If you've ever taken your love life to the digital sphere, you're familiar with the stressful, agonizing and self-esteem destroying task that is creating your dating profile.

From choosing accurate yet complimentary photos to summing up your charm, wit and brains in a succinct bio, the challenge at hand is an arduous one. In an exhibition entitled "Sup?", Sean Fader explores the complexities of online representations, mixed desires and the occasional breaches of truth:

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